Never losing sight of goals, and pressing onward amidst countless obstacles, Antagonizers ATL have delivered an unbelievable follow up to their debut self-titled LP.

TV Baby, the debut LP from Toronto power-pop act PONY, feels like it’s programmed from a different era. Driven by vocalist/guitarist Sam Bielanski’s sharp vocal tones and flashy, driving rhythm, the band combines cheeky 1980s style with 1990s self-reliance and modern production sheen for an experience caught between worlds. It’s hooky and vibrant, but don’t mistake exuberance for extroversion. TV Baby is an album dedicated to the indoor cats, the introverts, and those who value their independence above anything else.

Tomahawk, the rock band featuring Duane Denison (The Jesus Lizard/Unsemble), Trevor Dunn (Mr. Bungle/Fantômas), Mike Patton (Faith No More/Mr. Bungle, etc.) and John Stanier (Helmet/Battles), return with their first full-length album in eight years, the highly-anticipated 'Tonic Immobility'.

For anyone keeping score at home:  2020 was going to be the year of Van Weezer -- the big riffs rock album Weezer made as an homage to the metal bands they loved growing up -- until, thanks to the global pandemic, it suddenly wasn't.  The entire time, however, Weezer frontman Rivers Cuomo was busy at the piano, writing a very different album that took inspiration from another vital musical touchstone of his youth:  The Beach Boys' Pet Sounds.  Throughout the summer of Covid-19, he and the band -- along with a 38 piece orchestra -- chipped away at masked recording sessions using all analogue

Angst-fueled punk 'n’ roll band NOPES return with their third head-butting album "Djörk", which shows the Bay Area foursome more than ready to bury one of the most disastrous years in recent memory in a cacophony of disaffection and feedback.

Bristling with angular riffs and glass-cutting hooks, "Djörk" is as unapologetically weird as it is offensively loud and noisy. True to their punk roots, NOPES bristle lyrically against work, class divisions, and the gentrifying soullessness of city life as youthful dreams are mercilessly stripped away.

NO YEAR, a Portland quartet comprised of veterans of the city’s underground music scene are poised to inflict gripping, visceral psychedelic post-hardcore on the listening public with the release of their first LP, “SO LONG”. Named well before the shit-showery of 2020, the title has taken on all new meaning at the end of the longest year of our lives.

On Wild Pink’s third album and first for Royal Mountain Records, A Billion Little Lights, Ross explores the dichotomy of finally achieving emotional security—of accepting the love and peace he deprived himself of in his twenties—while also feeling existentially smaller and more directionless than ever before. The record is a two-pronged triumph: an extraordinary reflection on the human condition presented through the sharpest, grandest, and most captivating songs Wild Pink have ever composed.

Austin, Texas indie-rock/garage-punk outfit Parker Woodland have officially announced the release of their debut EP, The World's On Fire (and We Still Fall in Love), out everywhere on February 5th.