The Menzingers - Everything I Ever Saw
Scranton’s favorite sons return with their eighth album, Everything I Ever Saw, a lyrically intimate record anchored by the enduring power of friendship.
Scranton’s favorite sons return with their eighth album, Everything I Ever Saw, a lyrically intimate record anchored by the enduring power of friendship.
As soon as Among Legends unleash opening track “H/A/C/K,” it’s immediately obvious that they are no longer the same band behind 2022’s more carefree pop-punk record Take Good Care.
From the moment the drums kick in on opener “Twist My Tongue”, quickly followed by buzzing guitars and a solid bass line, you know you are in for a good time with the follow-up to 2023’s Cheap
Adult Magic recently released their sophomore album on Dead Broke Rekerds and it’s an absolute doozy. Are You Even Happy Now? packs ten new songs filled with all the buzzing guitars, big h
Descendents guitarist Stephen Egerton has announced his solo debut album, titled I Think You're Overthinking This.
The 10-track power pop album originated from a four-day recording session at London's Abbey Road Studios, gifted to Egerton by his wife for his 60th birthday last year. Egerton recorded the instrumental tracks at Abbey Road performing guitar, bass, and drums across all songs, before completing vocals and mixing at his home studio.
The album's lead single, "Stay Home," is now available for streaming below.
Moonraker returns with Me and the Bells, a twelve-song collision of anxiety, self-doubt, resentment, survival, and the strange determination it takes to keep showing up anyway. The Los Angeles melodic punk trio have always had a talent for making failure feel funny right up until it hurts, and Me and the Bells pushes that balance even further, pairing explosive hooks and relentless punk energy with lyrics that are anxious, sarcastic, painfully self-aware, and unmistakably human.
Drummer / vocalist David Green discusses the new album:
Formerly known as the Bob Calwell Vanity Project, the Ontario-based band has traded in the tongue-in-cheek handle for Jade Green. On their first under the new name—the four-piece delivers ten tight
If it weren’t such a cringy expression, I could have led this review with how nobody had "new Sludgeworth album" on their bingo card for 2026.
France’s The Dead Krazukies (I still have no clue what that name means!) are back with the follow-up to 2023’s From The Underworld.
Nineteen years after their last full-length, Massachusetts punk veterans Piebald are back with Tales for the Rages, an energetic return that proves they haven’t lost an ounce of their sign