Polyvinyl Record Co. and Laura Jane Grace are excited to announce Hole In My Head, the Emmy-nominated artist, author, activist and musician’s first offering since 2021’s At War With The Silverfish. Recorded at Native Sound in St. Louis, MO with David Beeman and mixed by Matt Allison (The Lawrence Arms, Rise Against), Hole In My Head is a sonic curio cabinet containing multitudes — a showcase that features warm, ‘50s rock-influenced guitar riffs, saved-for-later lyrics, love letters to new surroundings, and thoughtful reflections on a punk life lived.

TEARJERKER will no doubt remind you of a heavy mix of 90’s Punk Rock at its best, a little nostalgia and will leave you wanting to hear more. After all it is engrained in the DNA / make up of Sunderland.

Bristol UK’s IDLES have announced today their forthcoming fifth album, TANGK. The 11-track followup to their Grammy-nominated CRAWLER, TANGK was co-produced by Nigel Godrich (Radiohead, The Smile, Beck), the band’s Mark Bowen and Kenny Beats (Denzel Curry, Vince Staples, Benee). In an explosive run of unerringly stirring albums, TANGK—pronounced “tank” with a whiff of the “g” and an onomatopoeic reference to the lashing way the band imagined the guitars sounding that has grown into a sort of sigil for living in love – is this band’s most ambitious and striking record yet.

Mannequin Pussy announce their anticipated new album, I Got Heaven, with a video for “I Don’t Know You.” The album, produced by John Congleton, is due March 1st via Epitaph Records.

Of “I Don’t Know You” Marisa Dabice says, “This is simply a song about having a crush. About the excitement and playful fantasy that can come from meeting someone unexpectedly at a festival, or on the street, or in line at the grocery store. You don’t know when you’ll see them again but the rush of their possibility lingers, making you yearn to know more about them.”

Alkaline Trio walks among us once again. On January 26, 2024, everyone’s favorite tortured triumvirate will return in Grand Guignol style with "Blood, Hair, and Eyeballs", its tenth album and first full length offering of new material to be released in (66)6 years.

Known for their self-mocking sincerity, the Charlotte punks known as Dollar Signs use the record as a means of getting back to their roots in every sense – earlier this summer, they crowdfunded over $25,000 to be able to release this album entirely independent. That support fueled a fire, and the result is a bombastic and heartfelt unpacking of what it means to go back home.