Album Reviews
Formed in New York City in 1993 around singer, guitarist, and songwriter Chris Leo, The Van Pelt never quite got the mainstream recognition that so many of their 90s post-hardcore peers received. Instead, they carved their own path without compromise, completely refusing to blend into any one scene or trend.
Fast-forward over 30 years, and those exact traits make their fifth album, Remain Obscure, an absolute treat. While it’s a slow burn compared to most of the albums we usually cover, The Van Pelt comfortably inhabits the space between post-hardcore urgency, 90s indie rock, and the literate introspection of early emo without ever settling neatly into any single genre box.
Across 11 songs and just over 40 minutes, Remain Obscure feels remarkably expansive. Anchored by Leo’s signature cadence - somewhere between spoken-word storytelling and melodic sing-song - the band weaves intricate sonic tapestries that pull you deep into his wry observations. Expanded instrumentation like pedal steel and subtle sax synths gives these stories room to breathe, adding fresh depth to their classic sound.
The title Remain Obscure feels like both a self-aware nod to their cult legacy and a manifesto for their music. It doesn't scream for your attention, it earns it through slow-building tension, sharp lyricism, and atmospheric payoff. Put on headphones, hit play, and sit back and relax.
Remain Obscure track listing:
- Kris Is Riding Horses In Ojai
- Linens Should Be Freshly Pressed
- Arid As The Aral
- City Of Dead Ends
- Rally Song For Maryann
- Frank's Jukebox
- Flaws Of Attraction
- A Voralberg Of The Mind
- Martha Graham And The Moon
- Lawrence, KS
- Death By A Solid Argument
Lacking the talent to actually play in a band, Tom decided he would write about bands instead. Turns out his writing skills are mediocre at best as well.
